Paul Rigel Jenkins' theatre credits include: Island Hopping (Belarus Free Theatre, Minsk); Metropoc and Artism (London Biennale Arts Festival 2004); Ready Steady Liberate and Battle for Llanstephan (subVERSE, Theatre 503). Paul has recently completed a year with the BBC Continuing Drama Writers Academy and is currently on attachment with the Birmingham Rep.
Tim Roseman is Joint Artistic Director of Theatre503. His theatre directing credits include: The Final Shot (Theatre503), The Arab–Israeli Cookbook (Gate/Tricycle), revival of Journey's End (New Ambassadors), You Might As Well Live (New End), To My Man (Yvonne Arnaud), Lovers (New End), Così (New End), What Didn't Happen (Old Vic), 90 Minutes (Southwark Playhouse), Blackrock (Young Vic), Recruitment (King's Head), On Cigarette Papers (Old Vic), Kingdom on Earth (Landor), Nearly All Sondheim (Greenwich Playhouse). He has worked extensively in new writing and has developed plays with the Old Vic, Young Vic, Royal Court, Hampstead Theatre, Soho Theatre, Theatre Royal Haymarket, Pleasance, Gilded Balloon (Edinburgh), Caird Company and RADA. He was Joint Artistic Director of the Theatre Royal Haymarket's New Directions season, and also worked with the Young Writers’ Programmes at the Royal Court and Theatre Royal Haymarket.
Libby Watson’s design credits include Blonde Bombshells of 1943 (Hampstead/Bolton and UK tour), French Lieutenants Woman (UK tour), Christ of Coldharbour Lane (Soho), Macbeth (Bristol Old Vic), Under their Influence, Blues for Mr Charlie, Gem of the Ocean and The War Next Door (Tricycle), Crooked and I like Mine With a Kiss (Bush), The Wills’s Girls (Tobacco Factory), Blest Be the Tie and What’s in the Cat (Royal Court), Man of Mode and Hysteria (Northcott Exeter), Aladdin (Bury St Edmunds Theatre Royal). She has also designed over ten productions for the Watermill and Stratford East, and been resident designer at Salisbury Playhouse.
Lighting design credits include: The British Ambassador's Belly Dancer (Arts), I am a Superhero (Theatre503), Angry Young Man (Trafalgar Studio 2), The Bitter Tears of Petra von Kant (Southwark Playhouse), The Car Cemetery (Gate), Was He Anyone? (Union), Much Ado About Nothing (Ripley Castle), The Bald Prima Donna (Etcetera), The Four Seasons, Anatol (Arcola), The Death of Cool (Tristan Bates Theatre), The Tempest, Macbeth (Bridewell), and The Ho-Ho Club (Kings Head). Richard also designs regularly at The Royal Academy of Dance and for The Miniaturists collective.
Theatre credits include: People at Sea (Salisbury Playhouse), Breakfast with Mugabe (Bath Ustinov), Some Kind of Bliss, World’s End, Hello and Goodbye (Trafalgar Studios), Dealer’s Choice (Birmingham Rep), They have Oak Trees in North Carolina (Tristan Bates), Raisin in the Sun (Young Vic/Salisbury Playhouse/Lyric Hammersmith), Ship Of Fools and Salt Meets Wound (Theatre503). TV credits include: Agatha Christie's Marple: Series 3 (ITV); Wipeout, Sex 'n' Death (BBC); Rajan and his Evil Hypnotist (Channel 4); Animal Planet Shorts (Discovery Channel).
Directing credits: Europe (Contact Theatre, Manchester), 100, West (Club Underground, Manchester) and Oh What A lovely War (JFS Theatre). Acting credits: Savages (Royal Court), Whose Shoes (The Lowry), and The Last Fattybottypuss (Regents Park Open Air Theatre).
Design credits include: Sound Dust (Theatre 503), Jesus Christ Superstar (Arts Ed), Winters Tale (Courtyard Theatre), Breasts & Burgers (Underbelly, Edinburgh Festival), Strangers (Oval House Theatre), and Pretty Please (Greenwich Playhouse). She has also many credits as Associate Designer for The Finborough Theatre and Love & Madness. Forthcoming work includes Oliver Twist and La Ronde for UK Tour opening at Greenwich Theatre.
Elizabeth is co-founder of Whippet Productions. Her producing credits include: Henna Night (White Bear), Yoga Bitch (Theatre503/Burton-Taylor) and Cervantes' Spanish Interludes (Burton-Taylor/C Venues Edinburgh). She has also worked as Interim General Manager at Theatre503, Theatre Consultant at Quintessentially, Head of Marketing and Communications at the Maison Francaise d'Oxford, production assistant at Sonia Friedman Productions, and production assistant on The Exonerated at Riverside Studios.
Tara is co-founder of Whippet Productions. Her producing credits include: 24 Hour Plays: Old Vic New Voices 2008 (Old Vic), The Final Shot (Theatre503) and They Have Oak Trees in North Carolina (Tristan Bates Theatre). She is also Associate Producer for Liquid Theatre, for whom she recently produced a rehearsed reading of Finn Kennedy's new play, Chimeras.
Tara graduated from the post-graduate director's course at LAMDA in 2006 and just finished assisting James Grieve on the world-premiere of Artefacts by Mike Bartlett at The Bush Theatre. Other assisting credits include Terre Haute by Edmund White (Assembly Rooms Edinburgh Festival Fringe 2006/UK Tour/Trafalgar Studios 2007) and Three Days in April by Conor Mitchell (National Theatre Studio). Her directing credits include Henna Night by Amy Rosenthal (White Bear), Flamingos by Duncan Macmillan (Latitude Festival), Breakfast at Tiffany's by Truman Capote (Linbury Studio), and Unrequited by John James Cawood (Old Red Lion).